Rosso Fiorentino
Italian Mannerist Painter, ca.1495-1540
Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style.
Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau.
Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power. Related Paintings of Rosso Fiorentino :. | The Dead Christ Watched Over by Angels | Moses defending the Daughters of Jethro. | Madonna Enthrouned with Ten Saints | Macabre Allegory | Portrait of a Young Woman | Related Artists: Jean-Laurent MosnierFrench portrait Painter , b. ca. 1743, Paris, d. 1808, St. Petersburg Franz Schreyerpainted View of Capri in 1858-1936 Gautier de Coinci1177-1236 French,Born of noble stock, Gautier became a Benedictine novice at Saint-M??dard de Soissons in 1193 and prior at Vic-sur-Aisne in 1214, returning to Saint-M??dard to be grand prior (1233) until his death. His single work, preserved in nearly 80 manuscripts, is the massive Miracles de Nostre Dame, written at Vic (1214-27) and occupying some 30, 000 lines in two books.
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